Mod Mimic
Record yourself twisting a dial, then loop that exact movement anywhere in your set. No LFO gets this close to a human hand.
Max for Live · 184 downloads
Name your priceCheck it out
STUDIO QUALITY | BEDROOM PRICES
I build Max for Live devices for Ableton — modulation tools that each do one thing properly. Most of them are free. The rest are cheap enough that you won't need to ask anyone's permission.
- Downloads
- 1,711
- Devices out now
- 59
- Of them free
- 36
Devices
The lineup.
The 5 I'd start with, out of 59. Drag the shelf, or go and filter the lot.
Sub Generator Pro
REAL TIME SUB GENERATION | NO BS Real‑Time Intelligent Sub Re‑Synthesis Transform any sound into deep, key‑locked sub‑bass that hits perfectly every time.
Max for Live · 34 downloads
Name your priceCheck it outMeta Mod
Three FM oscillators — base, shape and texture — stacked into one source that evolves instead of repeating. Five waveforms each.
Max for Live · 5 downloads
$15Check it outMod Multi
One modulation source in, five independent processors out — each with its own delay, scaling, trim, smoothing and polarity, plus 16 modulation FX.
Max for Live · 172 downloads
Name your priceCheck it outYOI
In 2010 , the legendary "Yoi" bass took over the electronic music scene, defining a golden era of heavy dubstep and aggressive sound design.
0 downloads
$19.99Check it out
Free
Most of it is free.
Because some things should be. 36 of the 59 devices cost nothing, and they're how you find out whether I build things that actually work. If they earn it, there are paid ones. No account, no dongle, no newsletter gate.
Playgrounds
Have a go.
The actual devices, running in your browser. No install, no account.
Distortion 101
Here are three types of trim distortion. Clip, Fold & Wrap.
What is a YOI bass
Build the YOI bass one stage at a time: start with a raw waveform, add a resonant low pass filter, then take the sample rate apart.
Blog
Notes from the desk.
The 2-Millisecond Deadline
Stop scrolling. You're in the audio plugin swamp. Every new release is just another meticulously polished disguise for the same tired tricks: shinier EQ, slightly warmer saturation, some vapid "AI vibe enhancer." We are drowning in overlapping mediocrity. The audio software industry isn't evolving; it's stagnating, trapped by protocols designed for mediocrity. When you ask why there are no original tools left, the answer isn't a bad wrapper protocol. It's a brutal, invisible physics problem: real-time constraint.
How I bypassed JUCE, built a VST3 from scratch, and put the actual C++ engine on my website
Look, I hate marketing. I didn't want to make an over-edited YouTube video with fake hype to sell you a plugin. In fact, I completely forgot to make a demo video. So instead, I did something incredibly tedious: I skipped the industry-standard frameworks, hand-wrote a monophonic heavy-bass instrument in raw C++, and compiled the actual DSP kernel into WebAssembly so it runs directly inside a web browser.
New Website
If you are reading this, that means the new Bass Daddy Devices website is up and running! I've been working extra medium to get this site done so that I have another outlet sell you my various wares.